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K-Dramas have achieved the title of global entertainment in 2025. They are one of the major exports enjoyed by people of various countries, including the Philippines, Japan, India, Uzbekistan, Kazakhstan, and Iran, daily. As shows such as “Squid Game 2,” which balance thrill, emotions, and cultural commentary, are easily available to stream in several subtitles and dubbing, the craze for K-Dramas only keeps rising.
The secret behind this success is the dramas’ ability to resonate with diverse audiences. Regardless of the genres, each of them offers a distinct yet easily approachable experience that keeps people engaged and returning for more. However, as the industry enjoys this new pinnacle of success, catering to global audiences, it faces the responsibility of becoming culturally and politically sensitive. To better understand why there are urgent demands for this change and the cost of its delay, let’s take a closer look at how these oversights manifest.
Cases of Cultural and Political Insensitivity in K-Dramas
When The Phone Rings is a perfect example of how a final episode can ruin an entire drama. Not only does the last episode feel like a different drama, with the m
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